Wednesday, July 27, 2011
|Captain America vol. 1, March 1941.|
In creating Captain America, the latest Marvel superhero to bound on to the big screen, Joe Simon and Jack Kirby relied on reality for their inspiration.
" With Captain America, the villain came first. Jack and I read the newspapers and knew what was going on over in Europe. And there he was - Adolf Hitler, with his ridiculous moustache, high-pitched ranting and goose-stepping followers," Simon said. " He was the perfect bad guy, much better than anything we could have made up, so what we needed was to create his ultimate counterpart".
And so was born Steve Rogers, a scrawny would-be soldier with a 4-F physique and the stalwart heart of a warrior, even if the army would not take him. The character who would one day become and Avenger and form a cornerstone of the Marvel Universe came to life in the pages of Captain America Comics in December 1940, giving Hitler a hard right hook and capturing the imagination of a nation waiting for war.
" In [ my ] autobiography, I describe the way Jack and I developed our collaboration, often jumping around the room tossing ideas at each other, 'Let's do it this way!' and 'Let's take it that way!' and before we knew it, we had the entire first issue ready to show Martin Goodman at Timely Comics", Simon said. " We based Cap's sidekick [Bucky] on an old high school buddy of mine, and Martin loved it," he added.
The character proved a popular hit - the first issue sold a million copies and put Timely comics solidly among news-stands favourites, a position held through the 1950's before it became Marvel in the 1960's. While not the comic book world's first patriotic superhero, Captain America quickly became the most popular, inspiring dozens of imitators, said Tom Brevoort, Marvel's senior vice-president of publishing.
" This had a lot to do with the kinetic visual style that Simon and Kirby employed on the strip - it was the most exciting looking comic book of its era, and set the tenor for all superhero art that came thereafter," Brevoort explained.
Mark Evanier, a comics historian, said that it was Captain America's sales that helped put Timely - just one of a plethora of publishers - on a firm footing that enabled it to survive the shakedown that came after the war.
Now, 71 years on, Rogers is still going strong in comic shops and now in theatres with Paramount's Captain America : The First Avenger. But it is not the first time the shield-slinging patriot has been on the big screen. In 1944, his adventures were made into a serial that was broadcast on TV in 1953. In 1990, there was also a low-budget film about the character.
" He's absolutely a seminal bedrock character for the Marvel line," said Brevoort. " And he's a concept that anybody can understand. Even people who've never read a Captain America story before intuitively comprehend what he stands for, and no matter where you happen to sit on the political spectrum in this country, Captain America represents something to you. He's astonishingly universal."
The last time Captain America drew national headlines was in 2007 when he was gunned down on the steps of a US courthouse after a prolonged battle over personal rights that pitted Marvel heroes against each other. Though the death did not stick - they seldom do in comics - the story line by Ed Brubaker pushed the character back into the national consciousness.
" Cap is one of the great comic book icons, and as dangerous as the world is today - more than it was in the 1940's - we need him around more than ever to act as our moral compass," Simon said.
What say you?? I laugh at the comment the world is more dangerous today than in the 1940's!!!! Crap!! A world war not dangerous??? That is pushing hero worship a bit too far!
Samuel L. Jackson narrates African Cats and it isn't his finest performance I'm afraid. It isn't totally his fault as the script he was given was rather weak and for me was the only let down of an other wise wonderful wildlife film. It is nice to see Disney delve back into wildlife films as they were a studio which made them prodigiously many years ago. The problem here is that the film doesn't seem to know who its target audience is. The script is too child orientated to really satisfy adults, and yet the film is donating a set amount of revenue for African conservation groups, which if is the case, means surely getting bums on seats is the priority. Unfortunately the child like script isn't going to get adults in which means less revenue.
Saturday, July 23, 2011
Thursday, July 14, 2011
See, the Academy made him an offer he could refuse. Ba-dum-bum.
|The controversial grapefruit scene from The Public Enemy.|
And this was the shame of it as I really wanted to enjoy it and see the franchise out in style. But all I got was more of the same, and I come back to the issue of splitting the movie into two parts. It was un-necessary and the two movies felt too stretched out for my liking. The problem too as was always going to happen was the three main protagonists looked too old for their parts. I had real trouble buying into the boy wizard as he isn't a boy anymore! The character of Neville Longbottom was a joke as he has put in a real growth spurt since the last movie as to be utterly unconvincing. This was always going to happen and again two parts were a mistake because of this.
So I suppose it is fortunate this is the last of the franchise because the actors are passed their credible ages for their roles. For me it wasn't the right way to see the franchise out by splitting the last movie, and the two parts of The Deathly Hallows have left me feeling unsatisfied both times. It is a pity as the money grab took precedent over making one last great movie. Instead it has been stretched out and with it I think some of the charm and pleasure that the preceeding movies all had is missing.
Unsatisfying, with the odour of lucre I'm afraid. The Deathly Hallows should never have been split into two parts as neither part is particularly good and a let down for the preceeding movies. For this fan it was a disappointing end to a wonderful franchise, and with it a decade long phenomenom.
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